MoCCA Fest 2025 Review!

MoCCA Fest NYC 2025 - inside the expo hall

This year Janna and I made the trek to New York City to attend MoCCA Fest, one of the city’s biggest comic festivals! 

MoCCA fest nyc 2025, line outside the expo hall, photo Credit Andres Otero Images
mocca fest nyc 2025, registration desk with show catalog, photo Credit Andres Otero Images

Photos credit Andres Otero Images

Like every year, the expo hall was filled with amazing talent and exciting releases.  Here’s some of my key takeaways from the event:

Zines are back and bigger than ever!

Yes you heard me right!  The internet didn’t kill the zine!  Every vendor I saw had at least one zine at their table.  The complexity ranged from single sheet folded zines to stapled magazines to small batch perfect bound books.  Anything goes!

mocca fest nyc 2025, parent and child looking at zines, photo Credit Andres Otero Images

Photo credit Andres Otero Images

Even attendees brought their own zines, me included.  Why give someone your business card, when you can give them a cool piece of art instead?

Beyond Moccafest, “zinefests” have been popping up all over the country.  See if any are happening in your area and go check it out!  If you’re thinking about making zines and have no idea where to start, join our zine club in the Kids Comics Unite mighty network.

Medieval Fantasy is IN

Knights, dragons, and princesses were all over the place.   Independent and small press releases in particular took a heavy interest in medieval aesthetics.  This coincides with the rise of gothic fonts and illuminated manuscript motifs in 2025 design trends.

mocca fest nyc 2025, folklore bandanas by artist Sophia DeFelice (Crytime Art), photo Credit Andres Otero Images

Folklore bandanas by artist Sophia DeFelice (Crytime Art), photo credit Andres Otero Images

Perhaps creators are looking to fantasy for escapism.  Perhaps creators are looking to the dark ages as a reflection of current times.  Perhaps creators simply think dragons and knights are REALLY COOL.

Regardless, medieval fantasy has caught the imagination of creators and readers alike.  I personally got a copy of The King’s Warrior by Huahua Zhu while I was there.

Small Press has a larger presence

In the previous times I had gone to Moccafest, I had felt traditional publishing took up large parts of the expo hall.  It was refreshing this year to see publishers take up less space in general to make room for more artists.  But that’s not all, most publishers were small press!

MoCCA Fest 2025, New York Review Comics table, photo Credit Andres Otero Images

New York Review Comics table, photo credit Andres Otero Images

Small Press excites me because they tend to publish stories that fall outside “traditional publishing tastes”.  Not only that, so many of these books were beautifully designed!  Which leads me into my next takeaway:

Immense care put into book design

The books on display at Moccafest clearly showed how much consideration was put into its presentation.  I noticed a lot of books were playing with dimensions, often going into extremes.  Short and wide books were especially popular.  Instead of hardcovers with jackets, clothbound hardcovers with embossed designs were EVERYWHERE.  

Comic foldout at MoCCA Fest NYC 2025, photo Credit Andres Otero Images

Comic foldout at MoCCA Fest NYC 2025, photo Credit Andres Otero Images

This shows to me a great amount of care being put into the physical experience of the book.  To further tie back to the resurgence of zines, I’m noticing a big shift away from digital publishing.  While webcomics will remain a pivotal part of the comics world, I think artists are actively seeking ways to decenter technology, especially social media, from their work.

While some aspects of book design can be daunting and costly, I do think it’s worth considering how physical media could enhance the overall experience of your comic.  This can apply to webcomics too, how can you make the experience more special to your readers?

Be Self-indulgent

Everything I loved about Moccafest ties back to one word: Self-indulgence.  As creators, it’s easy to prioritize the audience before ourselves.  While it’s important to keep in mind who wants to read your comics, its equally important to make comics YOU are interested in.

Zine at MoCCA Fest NYC 2025, photo Credit Andres Otero Images

Zine at MoCCA Fest NYC 2025, photo credit Andres Otero Images

I know what you’re thinking, “I always consider myself part of the audience.”  That’s good!  You should make comics you want to read.  But do you make comics where the process itself excites you?

This is what I mean when I say self-indulgent comics.  We should make more comics for our creative entertainment.  That could mean making a bunch of zines about anything that pops in your head, an experimental comic playing with format and design, a comic so dense with lore only you know all the details, and so much more.  Play is important, so don’t be afraid to let loose and making something a little (or a lot) inaccessible.  Who knows, maybe those comics are the ones that get you the audience you always dreamed of.

Stickers at MoCCA Fest NYC 2025, photo Credit Andres Otero Images
Card at MoCCA Fest NYC 2025, photo Credit Andres Otero Images

Stickers and card at MoCCA Fest NYC 2025, photo credit Andres Otero Images

See Ya Next Year Moccafest!

I left Moccafest with way too many comics to comfortably carry home and a brain brimming with new ideas.  Also if you were curious, here were our hauls:

Comics and zines purchased at MoCCA Fest NYC 2025, photo credit Bailey Culver

Comics and zines purchased at MoCCA Fest NYC 2025, photo credit Janna Morishima

Comics and zines purchased at MoCCA Fest NYC 2025, photo credit Janna Morishima

Catch you next year MoCCA Fest!

About Bailey Culver

Howdy! My name is Bailey Culver. I’m the Content Manager of Kids Comics Unite and a storyteller with a soft spot for misfits. I create comics for people who started watching Adult Swim way too early and think every little thing will lead to the end of the world. On one hand, I focus on comedic young adult stories that revolve around identity and community influenced by youth counter-culture. On the other, I love creating Gothics about forgotten rural landscapes inspired by my upbringing in north central Pennsylvania. I’m also interested in adapting classic works from authors that inspire me such as Dante Alighieri, Angela Carter, Edgar Allen Poe, and Shirley Jackson. When I’m not working, you can find me playing point-and-click adventure games, causing chaos in Dungeons and Dragons, and hunting for 80s new wave records at my local flea market. You can also check out my work at baileyculver.com!

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