Kids Comics Pitchfest 2023 Showcase
Comics creators from around the world submit their unpublished projects to be previewed online by editors and agents. A panel of judges (click here to see the juror list) select the top pitches. Projects are archived here so that industry pros may view them and discover new talent.
Hal
Greene
Author
Unagented
Nelson Dániel
IIlustrator, Colorist
Unagented
Keep Your Eye on the Goalie
Harrison likes to think of himself as a rebel, but on his new home planet—a tiny hick backwater of a not-even-an-asteroid—there's not much to rebel against.
So Harrison bides his time tormenting the local AI, especially the placid recycling droids—always clumping around on their stumpy little legs, pestering everyone to recycle—it’s like they’re just begging to be abused.
One day the droids come under the influence of "the Goalie," a device that endows them with sentience. Now Harrison’s life is turned upside-down as every mechanism on New Brooklyn turns on him, even the soap dispensers!
Can Harrison convince these newly sentient—and seriously pissed off—beings he can follow the rules? As the droids like to say, “Recycling is important!
Age Range:
Middle GradeGenre:
Humor, Science FictionPage Count Estimate:
200My Why:
"Keep Your Eye on the Goalie" is a comic exploration of the contrast between the dispassionate coolness of artificial intelligence and the warm emotions of life. Nowadays, it seems every week brings a new "machine" that can "talk," like Alexa and ChatGPT. I wrote "Goalie" to express how basic human emotions can produce unintended consequences when applied to artificial intelligence. I also wanted show that even simple things, like utility robots, whether sentient or not, should be treated with respect. With lots of pop-culture references, “Goalie” contains both sophisticated and goofy slapstick humor that will appeal to readers of all ages.
Hal Greene
I am a Denver-based sci-fi writer, graphic artist, animator, wannabe chef, and failed musical prodigy. I've always been fascinated by art and graphic design, and I am now working on a number of projects in this area. My graphic short story, "Backup," was published in Heavy Metal magazine last year. The piece did so well it was called out in Comic Book Review and the magazine subsequently invited me to become a featured contributor. I’m now developing a series for them that will debut in 2024.
Nelson Dániel
Nelson Dániel has worked for over 15 years in films and commercials as an art director, production designer, storyboard, and concept artist for films like "Aftershock," Eli Roth’s "Green Inferno," and Robert Rodriguez’s "Machete." Nelson lives in Santiago-Chile, where he has published his graphic novels "Durmiente," "Lucca," "1899," and "1959." For IDW he also did all art and colors on "The Cape: 1969," "Judge Dredd," "Dungeons and Dragons," "Clue," "Teenage Mutant Ninja Turtles," and the Stephen King/Joe Hill collaboration, "Road Rage," as well as various issues and covers of "Ghostbusters," "G.I. Joe," "Transformers," "Detective Pikachu" and "Pacific Rim." He has also worked as colorist for Marvel and IDW on series such as "The Cape," "Wild Blue Yonder," "The Island of Dr. Moreau," and the 2015 Eisner Award-winning best limited series, "Little Nemo: Return to Slumberland."
Hal
Greene
Author
Unagented
Joel Ojeda
IIlustrator
Unagented
Eren Angiolini
Colorist
Unagented
Are We There Yet?
When a three-day foot race is announced on his home planet–with the galaxy's most powerful hoverboard as 1st prize–Harrison is sure he's a lock to win. On race day, with the help of his friends, he sets out to chart the quickest route and claim the prize.
Things don't go as planned. Harrison’s arch rival has tampered with his equipment, causing his group to stray far off course. Faced with the unthinkable—losing—Harrison cajoles his friends into taking a shortcut through a hyper dimensional portal.
But the portal malfunctions and the group discovers a stranded pilot on a remote moon who is being hunted by a killer robot.
Can Harrison's group save the pilot and still get back in time to win the race? The rules say they can use found objects!
Age Range:
Middle GradeGenre:
Humor, Science FictionPage Count Estimate:
165My Why:
"Are We There Yet?" is about bending the rules, and the consequences thereof. When faced with a difficult choice, is it ever okay to take a shortcut? I wanted to show that, under certain circumstances, it’s okay to “color outside the lines” as long as you take responsibility for your actions and ultimately make things right. Harrison knows he’s technically cheating by using the portal, so he resolves to make a sacrifice while still triumphing over his rival. In other words, he uses his creativity to turn defeat into victory but still preserve his integrity, because winning isn't everything, is it? Wait, it's not?
Hal Greene
I am a Denver-based sci-fi writer, graphic artist, animator, wannabe chef, and failed musical prodigy. I've always been fascinated by art and graphic design, and I am now working on a number of projects in this area. My graphic short story, "Backup," was published in Heavy Metal magazine last year. The piece did so well it was called out in Comic Book Review and the magazine subsequently invited me to become a featured contributor. I’m now developing a series for them that will debut in 2024.
Joel Ojeda
Joel Ojeda is a Mexican comic book artist. Always looking to push the boundaries of dynamic and expressive storytelling, he continuously experiments with different styles and techniques! With 10 years of experience in the comic book industry, some of his previous clients are Zenescope (Grimm Fairy Tales, Code Red, Tales of Terror, various titles), UDON entertainment (Darkstalkers XV anniversary artbook), Action Lab entertainment (Zombie chick), FlipOut international, DC Comics (The Death of Superman - The Wake) and Heavy Metal. He currently works with Visitors Publishing discovering exciting new realms of comic entertainment, and having a great time doing it!
Eren Angiolini
Eren Angiolini is an Italian comic colourist and illustrator, living in the UK. Some of their most recent publications include "Multiversity: Teen Justice", "Justice League: Last Ride", the Ringo Award winner "DC Pride" (DC Comics), "Enola Holmes" (Legendary Comics) and many series of Doctor Who comics. In addition to their comic work, Eren illustrates fantasy characters and creates art resources for table top role playing games.
Hal
Greene
Author
Unagented
Nelson Dániel
IIlustrator, Colorist
Unagented
Treasure of New Brooklyn
Harrison's been waiting five long years for the carnival's return. One day, he thinks he sees a sign it’s finally coming back. But his arch rival disagrees and bullies him into making a disastrous wager.
The carnival turns out to be an education fair. Harrison loses the bet and has to turn over his most treasured possession: his lucky penny.
But has he truly lost?
The fair uses virtual reality to teach its subjects, one of which is literature. Students can enter the world of any book and live it as real.
Harrison hatches a plan. But he’s only ever read one book: Catcher in the Rye.
Can he use his meager command of literature to defeat his rival and reclaim his lucky penny? The book is always better than the movie, right?
Age Range:
Middle GradeGenre:
Humor, Science FictionPage Count Estimate:
170My Why:
Books vs. movies is a venerable subject. I wrote “Treasure of New Brooklyn” to explore what might happen if one’s survival came to depend on the superiority of one or the other. Harrison has only ever read one book, but he’s seen a million movies, many of them made from books! Will this be enough? Can Harrison use his repository of quasi-literary knowledge to fudge whether or not he’s read the book? His life might depend on it!
Hal Greene
I am a Denver-based sci-fi writer, graphic artist, animator, wannabe chef, and failed musical prodigy. I've always been fascinated by art and graphic design, and I am now working on a number of projects in this area. My graphic short story, "Backup," was published in Heavy Metal magazine last year. The piece did so well it was called out in Comic Book Review and the magazine subsequently invited me to become a featured contributor. I’m now developing a series for them that will debut in 2024.
Nelson Dániel
Nelson Dániel has worked for over 15 years in films and commercials as an art director, production designer, storyboard, and concept artist for films like "Aftershock," Eli Roth’s "Green Inferno," and Robert Rodriguez’s "Machete." Nelson lives in Santiago-Chile, where he has published his graphic novels "Durmiente," "Lucca," "1899," and "1959." For IDW he also did all art and colors on "The Cape: 1969," "Judge Dredd," "Dungeons and Dragons," "Clue," "Teenage Mutant Ninja Turtles," and the Stephen King/Joe Hill collaboration, "Road Rage," as well as various issues and covers of "Ghostbusters," "G.I. Joe," "Transformers," "Detective Pikachu" and "Pacific Rim." He has also worked as colorist for Marvel and IDW on series such as "The Cape," "Wild Blue Yonder," "The Island of Dr. Moreau," and the 2015 Eisner Award-winning best limited series, "Little Nemo: Return to Slumberland."